Han Halewijn creates digital art, painting, performance and interactive work — at the edge of algorithm, image and sound. 92 works across 10 series. Award-winning practice. International biennials and exhibitions. Open for collaboration.
Han Halewijn de Groot (born 1963, Leeuwarden) is a Dutch artist, composer and researcher working under the label Music Design since 1992. His practice spans digital art, painting, illustration, interactive installation and performance.
Trained as an oboist and composer — with formative encounters with John Cage, Iannis Xenakis at UPIC, Olivier Messiaen and Witold Lutosławski — he brings a musical intelligence to visual work. His Leaving Traces / Tagged Space project (2005) was the world's first active RFID art project. His work has been shown in Belgrade, Miami, New York, Cologne and beyond.
Digital originals & paintings — limited editions of 1,3,5,10 and 22, signed & certified. Status shown below each work.
Each series is a sustained inquiry — into colour, structure, nature, the body, and the hidden systems beneath visible reality.

Street compositions built on the square as fundamental unit — materials left behind by humans, recomposed as algorithmic geometry.

Fields of luminance generated through custom code — organic light forms blooming from algorithmic logic.

Photography transformed beyond its own limits — reality distorted until it reveals a deeper truth.

Flowers in chromatic extremity, digital forests, blue-green river studies — nature refracted through algorithm.

Mythic figures, aboriginal marks, botanical forms. These paintings argue with the digital practice — insisting on the body.

Wandering characters leaving evidence of passage. The world's first active RFID art project — evolved into illustration.

Figures in space — people, dialogue, connection. Human presence explored through geometric form and colour.

A Gothic cathedral window, six chromatic states. Stone, shadow, gold — how light changes everything without changing the structure.

Monumental floral abstractions — the Lady Dog Nano Art Triptych in pink, violet and deep purple. Large-format 90×120cm digital paintings.

Immersive digital environments built for LED walls and large-format screens — lost cities, forests, subterranean worlds.

Eight-bit portrait photography — Friendly Worker, Cleaning Pope, UN Contact Officer, Tasmanian Nano Surgeon. Award-winning collaboration with Mark de Weger.
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Eemnesser Cultuur Prize 2011 · Eemnesser Publics Prize 2013 · SCOPE Art Fair Miami · The Story of the Creative, New York
ParaKwadraat is the long-running collaborative photography project between Han Halewijn and Mark de Weger. Since 2010 the project has produced an expanding universe of staged portraits, ensemble works, performance pieces and narrative series — each one an absurdist, precisely composed commentary on the human condition.
The collaboration won the Eemnesser Cultuur Prize in 2011 and the Eemnesser Publics Prize in 2013, and has exhibited internationally at SCOPE Art Fair Miami and The Story of the Creative, New York.
ParaKwadraat Project — a live performance work in which the performers become marionettes controlled by language. Strings of text — "werk", "dogma", "buny" — hang from a central figure operating a MacBook, while costumed performers hold circular signs. The work explores control, hierarchy and the performance of institutional identity.
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Co-production with Leon Dekker · Interdisciplinary art, storytelling and interactive work in public space
Fabulari is the co-production of Han Halewijn and Leon Dekker — a long-running creative partnership that moves between digital and physical, between the studio and the street. Dekker is a multidisciplinary artist, educator and cultural force in the Netherlands whose practice spans sculpture, drawing, community art, performance and educational projects spanning more than three decades.
The partnership grew from a shared conviction: that art which inhabits public space, that speaks to people who did not come looking for it, is art doing its most important work. Together they develop projects that are both formally rigorous and genuinely accessible — musical stories told through image, object and interaction, played out on and offline.
One Gothic window. Six states of light, colour and material. How perception transforms structure — the same form, utterly different worlds.






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A practice sustained by extraordinary collaborations — composers, choreographers, theatre-makers, designers and artists across Europe and beyond.
Live performance, site-specific events and collaborative projects that unite music, image and space. Click any project to expand.
Custom interactive hardware built by Jos Knoop (KED) & Eddy van den Ham (Artron) in collaboration with Han Halewijn — The hardware spans custom light controllers, audio processing units, and sensor-driven interactive systems that formed for many years the technological backbone of his live performances and installation practice.
Masterclasses followed during studies, and the institutions that shaped and hosted the practice.
Masterclasses and workshops followed during formative studies. A cross (✝) marks those who have passed away.
Academies, studios, labs and venues that shaped and hosted the practice.
Three decades of making — across music, digital art, painting, performance and interactive technology.